The Landmarks Preservation Commission unanimously approved a certificate of appropriateness today for a plan to "recreate" in large measure the facade of a factory and store building designed in 1890-1 by Renwick, Aspinwall and Russell at 171 MacDougal Street in Greenwich Village.
The building's facade had been radically altered in 1966 by Victor Christ-Janer and Associates for its owner since 1921, the Tenth Church of Christ, Scientist and that new red-brick facade with a central slit window has been one of the few modern structures in Greenwich Village.
In his excellent book, "From Abyssinian to Zion, A Guide to Manhattan's Houses of Worship" (Columbia University Press, 2004), David W. Dunlap observed that "Probably no Christian denomination in modern times has tried as many varieties of architectural expression as the Church of Christ, Scientist," adding that at this location "is the modern impulse: a brick wall at the end of MacDougal Alley, penetrated by corbeled openings, including a monumental shaft that serves the Gothic purpose of lifting the eye upward."
The upper floors of the building have not been used since the alteration.
The church has entered a venture with Property Markets Group, which is headed by Ziel Feldman, to create 9 residential condominium apartments on the upper floors of the building and redesign the church's facilities on the lower two floors.
TRA Studio, of which Robert Traboscia and Caterina Roiatti are the principals, is the designer for the residential portion of the project.
The building is at the foot of MacDougal Alley and half a block north of Washington Square Park.
The new facade will closely resemble the Romanesque-style building designed by Renwick, Aspinwall and Russell that was originally on the site and will have three bays of windows with arched windows on the next to highest floor.
The top floor will have smaller rounded windows and a translucent cast-glass band and small cornice will recall the original building's cornice, whose larger dimensions would not be permitted under current building regulations.
The cast-glass will also be used on the lower two floors to indicate the institutional nature of the church's portion of the mixed-use project.
Most of the commission's members had previously indicated they were very impressed with the project, but several suggested minor changes in the fenestration of the top floor and in the treatment of the stainless-steel entrance canopy.
The revised design presented to the commission today had a canopy that was two-feet shorter in length and was also narrower. It also had a more pronounced cornice. One commissioner, Stephen Byrnes, said he "loved this project," adding that the revision was "a very substantial improvement."
The Historic Districts Council previously testified that it was "very pleased to see this restoration and reconstruction work," adding that "this proposal will certainly work towards bringing this building back to tits historic condition and will be an overall improvement for the neighborhood. It will be particularly importance in light of the building's location at a highly visible point at the end of MacDougal Alley."
The Greenwich Village Society for Historic Preservation also applauded the project's "sensitivity in restoring the building's arched openings and recreating the brick detailing."
The building's facade had been radically altered in 1966 by Victor Christ-Janer and Associates for its owner since 1921, the Tenth Church of Christ, Scientist and that new red-brick facade with a central slit window has been one of the few modern structures in Greenwich Village.
In his excellent book, "From Abyssinian to Zion, A Guide to Manhattan's Houses of Worship" (Columbia University Press, 2004), David W. Dunlap observed that "Probably no Christian denomination in modern times has tried as many varieties of architectural expression as the Church of Christ, Scientist," adding that at this location "is the modern impulse: a brick wall at the end of MacDougal Alley, penetrated by corbeled openings, including a monumental shaft that serves the Gothic purpose of lifting the eye upward."
The upper floors of the building have not been used since the alteration.
The church has entered a venture with Property Markets Group, which is headed by Ziel Feldman, to create 9 residential condominium apartments on the upper floors of the building and redesign the church's facilities on the lower two floors.
TRA Studio, of which Robert Traboscia and Caterina Roiatti are the principals, is the designer for the residential portion of the project.
The building is at the foot of MacDougal Alley and half a block north of Washington Square Park.
The new facade will closely resemble the Romanesque-style building designed by Renwick, Aspinwall and Russell that was originally on the site and will have three bays of windows with arched windows on the next to highest floor.
The top floor will have smaller rounded windows and a translucent cast-glass band and small cornice will recall the original building's cornice, whose larger dimensions would not be permitted under current building regulations.
The cast-glass will also be used on the lower two floors to indicate the institutional nature of the church's portion of the mixed-use project.
Most of the commission's members had previously indicated they were very impressed with the project, but several suggested minor changes in the fenestration of the top floor and in the treatment of the stainless-steel entrance canopy.
The revised design presented to the commission today had a canopy that was two-feet shorter in length and was also narrower. It also had a more pronounced cornice. One commissioner, Stephen Byrnes, said he "loved this project," adding that the revision was "a very substantial improvement."
The Historic Districts Council previously testified that it was "very pleased to see this restoration and reconstruction work," adding that "this proposal will certainly work towards bringing this building back to tits historic condition and will be an overall improvement for the neighborhood. It will be particularly importance in light of the building's location at a highly visible point at the end of MacDougal Alley."
The Greenwich Village Society for Historic Preservation also applauded the project's "sensitivity in restoring the building's arched openings and recreating the brick detailing."
Architecture Critic
Carter Horsley
Since 1997, Carter B. Horsley has been the editorial director of CityRealty. He began his journalistic career at The New York Times in 1961 where he spent 26 years as a reporter specializing in real estate & architectural news. In 1987, he became the architecture critic and real estate editor of The New York Post.